Blog
The Negotiator
Posted on June 10th, by Tim Mispagel in Drawing, Painting, Printmaking, Two-Dimensional Work. No Comments
Soft Pastel and Charcoal
28 in. wide x 34 in. tall
Muscle Study view 1
Posted on April 23rd, by Tim Mispagel in Miscellaneous Content. No Comments
The clay I used for this piece was exceptionally soft. Traditionally I use this oil-based clay for the mold-making process but it lent itself well to drawing marks for muscle fiber quickly. Makes for a fragile piece though.
Muscle Study view 2
Posted on April 23rd, by Tim Mispagel in Miscellaneous Content. No Comments
The development of this piece shows the relationship between muscle fiber as an internal structure and the epidermis as a protective covering.
Fallen with Freeloader
Posted on April 23rd, by Tim Mispagel in Drawing, Painting, Printmaking, Two-Dimensional Work. No Comments
Elk Hunters
Posted on April 23rd, by Tim Mispagel in Drawing, Painting, Printmaking, Two-Dimensional Work. No Comments
Copy Louis Marcoussis Artist Proof 3
Posted on April 23rd, by Tim Mispagel in Drawing, Painting, Printmaking, Two-Dimensional Work. No Comments
Copy Louis Marcoussis Artist Proof 2
Posted on April 23rd, by Tim Mispagel in Drawing, Painting, Printmaking, Two-Dimensional Work. No Comments
Benedictine Ravens
Posted on April 23rd, by Tim Mispagel in Drawing, Painting, Printmaking, Two-Dimensional Work. No Comments
The Secret Campsite
Posted on April 23rd, by Tim Mispagel in Alternative Photographic Processes, Two-Dimensional Work. No Comments
The Roman Colosseum
Posted on April 23rd, by Tim Mispagel in Alternative Photographic Processes, Two-Dimensional Work. No Comments
The Golden Ratio
Posted on April 23rd, by Tim Mispagel in Alternative Photographic Processes, Two-Dimensional Work. No Comments
The Golden Ratio in Van Dyke Brown
Posted on April 23rd, by Tim Mispagel in Alternative Photographic Processes, Two-Dimensional Work. No Comments
High Lonesomes Vertical
Posted on April 23rd, by Tim Mispagel in Alternative Photographic Processes, Two-Dimensional Work. No Comments
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